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' 'Rhodes was a splendidly lascivious Monostatos'' The Listner ''Rhodes sang an excellent Marcello, with a voice that fitted the role perfectly: young and boisterous, and his acting flair made his relationship with Musetta, as well as with his fellow students, totally realistic.'' NZ Opera Society ''With Iago’s spine-tingling Credo from Verdi’s Othello, We heard, and saw, that Rhodes has the valu-able ability to enter a part; his whole demeanour changed as he prepared to sing Iago, his face clouded, his body tautened, his voice-colour darkened.'' The Listner ''He sang Finzi’s Come Away Death with sustained lyricism and perfect diction'' The Listener |
